Arhitekta: Koichi Futatsumata/CASE-REAL
Lokacija: Kumamoto, Japan
Tip projekta: rekonstrukcija
Namena: Frizerski salon
Realizacija: Oktobar 2010.
Površina: 118.7m2 (Nivo1/ 64.4m2, Nivo2/ 54.3m2)
Plan rasvete: Ushio spax Fukuoka
Fotografije: Yoshikazu Shiraki
CASE-REAL
U CASE-REAL studiju, smatramo da dizajn enterijera podrazumeva nešto više od jednostavne primene šema boja ili koordinacije rasporeda nameštaja i umetničkih dela. Smatramo da prvi korak procesa dizajna enterijera predstavlja pažljiva interpretacija mnogih faktora – od faktora okruženja i društva do potreba, ciljeva i vizija klijenta. Ova analiza budi kreativne ideje koje postaju osnova za detaljan koncept projekta. Bazni koncept dalje usmerava svaki aspekt planiranja – od celokupne strukture do specifičnih detalja projekta. Verujemo da ovaj proces, koji vodi ka formiranju odgovarajućih, dobro osmišljenih prostora, čini srž jednog dobrog enterijera. Ovaj fundamentalni pristup primenjuje se ne samo na dizajn enterijera, već i na dizajn nameštaja, proizvoda i na pejzažno uređenje, takođe. U osnovi našeg rada stoji ideja da rad na enterijeru predstavlja dizajnersko sredstvo za poboljšanje ljudskog života i životne sredine. Svakom projektu pristupamo tako što tražimo kreativna rešenja koja će nas približiti ovom osnovnom cilju.
Koncept
„Spona“ – Raznovrsni detalji formiraju mnoge simetrične lejere koji se vide kroz torri, kapiju ispred hrama Shinto. Večna svetost i predivan svež vazduh čine okruženje. Frizerski salon se nalazi duž prilaza malom hramu koji se zove Tetori Hram. Naziv “Tetorigarden” potiče od imena tog hrama. “Danpatsu”, čin šišanja, je ranije smatran svetim činom u Japanu. Kapija Tetori Hrama i veliki izlog frizerskog salona urađen u ramu od hinoki čempresa, pozicionirani su na istom pravcu, na suprotnim stranama, i deluju kao ramovi koji odvajaju i prikazuju unutrašnji prostor, i kao spiritualne barijere zvane “Kekkai”. Idejom o povezanosti sa hramom želeli smo da stvorimo mentalnu i prostornu sponu između svetog i svakodnevnog kreativnog rada, između dva mesta na istom potezu.
Architect: Koichi Futatsumata/CASE-REAL
Location: Kumamoto, Japan
Type of Project: Renovation
Use: Hair Salon
Completion: Oct 2010
Floor area: 118.7m2 (1F/ 64.4m2, 2F/ 54.3m2)
Lighting Plan: Ushio spax Fukuoka
Photo Credit: Yoshikazu Shiraki
CASE-REAL
At CASE-REAL, we believe interior design is about more than applying superficial color schemes or coordinating the arrangement of furniture and artwork. Rather, the first step is to carefully interpret factors ranging from the surrounding environment and society to the client’s needs, goals, and visions. This analysis gives rise to creative ideas that become the basis for a clear design concept, and this underlying concept in turn guides every aspect of planning, from overall structure to particular details. We believe this process – and the satisfying, well-developed spaces it results in – is at the heart of true interior design. The same fundamental stance applies not only to interior design but to furniture, product, and landscape design as well. On the most basic level, we see our work as designing tools to enrich the workings of human life and the environment it is played out in. In each project we seek creative design solutions that bring us closer to this essential goal.
Concept
„Connection“ – Diversity of the details which form many symmetrical layers you see though the torii, the archway of the Shinto shrine. You will be surrounded by the eternal sacredness and beautifully fresh air. The hair salon is located along the approach to the small shrine called Tetori Shrine. “tetorigarden” was named after it. “Danpatsu”, the act of the haircut used to be concerned to be very sacred in Japan. Torii, the archway of Tetori Shrine and the huge window of the hair salon with the frame of hinoki cypress. They stand along the same approach to the shrine as they face each other. They both seem to be the frames cutting the space inside and showing it in close-up as well as “Kekkai” the spiritual barriers. With the counterpart of the shrine, we wanted to create the mental and spatial connection between the sacred and creative daily work of two places along the same approach.
